I have been playing Might and Magic to the exclusion of everything else for about two weeks now. Several bundles have happened, both GoG and Steam have had sales, and I’ve spent a few bucks on them, but it’s all counting as backlog. Half of the reason I haven’t written a word about it is because that’s time away from playing the game: The only reason I’m writing now is because I’m in New Jersey for Christmas and I didn’t bring my computer.
It’s, you know, funny that this year I got really into first-person draw-your-own-map games–if you were around during the summer, you probably read me rambling about Wizardry 6 and how much I absolutely loved that game. This is actually kind of a new territory for me. Other than Lands of Lore, I never got into first-person maze games–I always had trouble *seeing* it, and the discipline that Might and Magic requires would have been totally beyond me as a kid. My only experience with the series was a very little bit of time spent with Might and Magic II, which came with my family computer, and I think I played it once or twice and decided that it was boring.
Success in Might and Magic, more than anything else, requires absolute meticulousness. There are, apparently, a total of 55 separate 16X16 maps in the game. I’m being very organized with them–I’ve got separate paper-clipped sheaves with town maps, dungeon maps, overworld maps, and another with notes. There’s very little NPC interaction, which means that the scraps you do get–notes written on walls, cryptic lines occasional characters spout out–are all meaningful. Every single map square I have has a lot of cross-referenced notes. It comes in handy.
I decided to play Might and Magic because of the coverage in the blog The CRPG Addict, which I just started reading; it made the game seem somehow amazing, and since I already own the entire series–I picked it up at the GoG summer sale–I figured it was high time I give it a proper try. I’ve found almost a surprised note in most of everything I’ve read about the game–like, in forums and other blogs, so many people approach the game almost surprised that it’s held up: That Might and Magic is not only a playable but a quite good game seems almost unexpected.
But it’s an intensely respectful game, and in a year whose notable games included Bioshock Infinite (which was a series of vaguely-interactive cutscenes separated by hyperviolent dull shooty bits), Gone Home (which was a series of overwrought narrations in an environment which wasn’t quite interactive enough, and Proteus, which had no point whatsoever–in a year where those are some of the more talked-about games, it’s really nice and almost really sad that I’m going back to 1987 to find a game which likes me.
I mean in many ways Might and Magic is one of the few games I’ve ever played that doesn’t have a beginning–it has a middle and an ending, but once you create your characters you’re just dumped into the first town without any motivation or guidance. That first town isn’t even particularly special–a little easier monsters than the rest, maybe, but beyond that, I mean I’m a good 40 hours into the game and I still hang around that town a lot since it’s such a central area. Your motivation for questing, for playing the game, is the game itself–if you don’t see 55 blank maps and immediately feel the strongest desire to explore and fill all of them out, then you’re playing the wrong game. The manual notes that “combat is at the heart of Might and Magic”, but that’s a lie: Combat is fine (and, other than a crude drawing of one of the monsters at the beginning of combat, is handled exclusively through text, it’s a fairly distilled form of RPG combat), and there’s certainly a lot of it, but more than anything, it’s a cartography simulation.
You know, Wizardry 6 was more about inventory and key puzzles, and it was certainly about mapping out intricate structures; Might and Magic is more about its overworld–20 of those 55 maps are dedicated to the main world map, which is laid out in a very specific grid pattern, and for the most part, you’re just an explorer. You have very few explicit goals–a couple of quests given to you by various kings and things like that–but the rest of the game is so open and sprawling that the only way to avoid agoraphobia is to make up your own series of constantly shifting goals. I’m going to map this one square. I’m going to level up one character. I’m going to find this character that a note mentioned. What sticks out is that both Wizardry 6 and Might and Magic use the phrase “fantasy simulation” in their paratext. I think that’s pretty important. Might and Magic really is a computer system which is running this little world, and experimenting with it is the heat of the game. You think about how games like Sim City, beyond a couple of explicit scenario goals, are about poking around and figuring out stuff you want to do and then doing it. And while there’s a main quest, and he game does have an ending, for the most part it’s about going around, finding interesting stuff, and enjoying it. Rather than something like Skyrim, which was a cross between a Skinner box and a to-do list masquerading as a fantasy epic, Might and Magic ships with no goals and therefore manages to be a very personal experience. Playing Might and Magic becomes its own reward–I find it to be a very absorbing, mindful, intimate game and its genuine lack of impatience helps it to be a beautiful game.
God damn; I really want it to be Thursday so I can get back to playing it.